Following the life of the famed Roman slave turned gladiator, the film focuses on the rampant corruption within the Roman Republic and the various dynamics that define Spartacus' experience as a slave. Spartacushas seen many of film iterations however the 1960 production led by Kirk Douglas remains cherished by many fans of film. In moments of grief, some films choose to sit and soak up the complicated feelings that arise after loss, while others leap forward and acknowledging said tragedy in the context of their hero's journey. In Ben-Hur, the intermission is a reasonable tool to separate a film that seemingly focuses on and captures the life and development of their protagonist. However, it allows for audiences to speculate about the conclusion while marveling about the plot, the characterization, and the cinematography. In a pragmatic sense, a break after two hours of film watching seems more than necessary. Two hours and seven minutes after the beginning of the film, the spectators were granted an intermission spanning anywhere from ten to fifteen minutes. The intermission divides the film between Ben-Hur's earlier life, including his friendship with Messala and his later profession as a charioteer. The props and production both highlight the significance of the race, with both of Judah and Messala's livelihood and ego at stake. After the two childhood friends separated, their paths diverged, with Judah Ben-Hur retaining his Jewish religion and customs and Messala adopting and confidently embracing Roman culture.Īlongside the engaging plot and character development, audiences were treated to an epic chariot race between the two characters. Despite the fictional nature of the film, the events in Seven Samurai mirror both real life experiences of farmers in Sengoku-era Japan and modern instances of robbery and exploitation.īen-Hur, the visual exploration of the classic Christian novel "Ben-Hur: A Tale of the Christ", followed the story of the titular Jewish noble from his birth in Bethlehem up until his climactic clash with Messala. However, the villagers could not leap out of the black-and-white screen to evade the bandits. The audience have the privilege of pulling back from the harrowing events of the film. Aspects of life, such as safety and surplus, are fundamental human rights indebted to all but only few have experienced. As eloquently explored in the article "Intermission: Seven Samurai Interrupted", the intermission allows audiences to reflect on their reality compared to the film's protagonists. While the intermission functioned as a break for the audience, as well as a chance for the film's accompanying merchandise to be sold, Seven Samurai is one of the films with an intermission that functions as an artistic device. The song in question can be found of the film's official soundtrack under the romanized title "Shichinin no Samurai". The screen fades to black before present kanji characters translating to "Intermission". Seven Samurai has a running time of 207 minutes, including a five-minute intermission accompanied by music. The film hosts an illustrious cast of actors like Takashi Shimura, Keiko Tsushima and most importantly, the legendary Toshiro Mifune. Set in Japan's Sengoku period, the film follows a group of villagers that hope on the strength of the ronin, or samurai without a master, to defend them from the waves of bandit aspiring to steal the village's crops once that harvest ends. Seven Samurai is one of many films made by the incomparable Akira Kurosawa. The exploration of the popularity, decline, and current state of intermissions can possibly call attention to the intentions of the creatives behind classic films and contemporary cinema rise to the surface, potentially prompting fans of the films and new viewers to see said projects in a new light. They offer movie watchers a chance to reflect on the narratives they've watched unfold and predict the direction of the characters, the plot, and the film as a whole when the intermission concludes. Whether for comedic reasons or poignant statements, intermissions have continued to serve its original purpose since falling out of popularity. Some of the most memorable films of post-war America, Reagan-era Hollywood, and even the contemporary entertainment industry include intermissions for reasons beyond feasibility. Nevertheless, the film industry saw a select number of filmmakers experiment with the placement itself. The majority of the films released during the height in popularity of built-in intermissions typically placed them in the middle of the film. Undoubtedly, most of Hollywood saw the intermission as mainly a technical component of the film, quickly drifting away following the advent of technologically superior projectors and a pressure for the film to have more scenes intact, rather than separated by an intermission.
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